{"id":4025,"date":"2017-12-14T17:22:51","date_gmt":"2017-12-14T17:22:51","guid":{"rendered":""},"modified":"2020-01-09T20:32:54","modified_gmt":"2020-01-09T20:32:54","slug":"habibi-broadways-the-bands-visit-is-a-tiny-little-heartbreaking-beautiful-epic-html","status":"publish","type":"post","link":"https:\/\/laughfrodisiac.com\/2017\/12\/14\/habibi-broadways-the-bands-visit-is-a-tiny-little-heartbreaking-beautiful-epic-html\/","title":{"rendered":"HABIBI!!!!!! Broadway\u2019s The Band\u2019s Visit is a Tiny Little Heartbreaking Beautiful Epic"},"content":{"rendered":"

\"Picture\"<\/a><\/span><\/p>\n

\u200bWhen I told people I was seeing The Band\u2019s Visit<\/em> on Broadway, they asked what it\u2019s about, and I\u2019d say \u201cremember that little Israeli film from like 9 years ago about a group of musicians that gets stuck in a nothing town in the middle of nowhere and then, like, they have to leave?\u201d The answers would invariably be \u2018no\u2019 or \u2018um…what, no\u2019. Then they\u2019d ask me what else happens in the movie, maybe to jog their memory, and I would say, \u2018um…I don\u2019t remember…I don\u2019t think anything.\u201d Having seen the final preview (the last performance before official opening night) of the new musical version of this work, I am pretty sure the same conversation will happen for it too. But that\u2019s not necessarily a bad thing. In fact, this show so unbelievably makes \u2018pretty much nothing\u2019 seem like the most beautiful thing about life that it\u2019s going to win Best Musical this year. And so far, it should. The Band\u2019s Visit<\/em> can sometimes be a bit boring \u2013 some people near me were sleeping \u2013 but like, in a glorious, magical way.<\/div>\n
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Based on the 2007 Israeli movie of the same name, TBV is about Israelis and Egyptians with boring lives but it will resonate with most people today about their own lives and whether or not they are also boring. Even non-boring people with non-boring lives will have experienced at least some light anguish or fun-sized depression at some point, and so will connect with what\u2019s happening on the stage. And what\u2019s happening is a kind of special, fragile magic that is rare on Broadway. It\u2019s about normal people in the 1990s, living quiet lives, just everyday people, no one special like in any other show. These everyday people are Israelis living in a little town, it\u2019s a quiet village, called Beit Hatikva in the middle of the Negev desert. Beit Hatikva is not to be confused with Petah Tikva, a town with an Arab Cultural Center where a group of Egyptian military band musicians were supposed to perform, but, considering there\u2019s no \u2018p\u2019 sound in Arabic and they naturally substitute the \u2018b\u2019, you can see how the musicians did indeed confuse the two and ended up getting bus tickets to Beit Hatikva by accident. In the middle of the dusty Negev, in a village with maybe dozens of people, instead of at an official performance, the musicians are stuck for the night until they can catch a rare bus out of town the next day. While there, they befriend the locals and connect deeply with some despite the hindrance of time.<\/p>\n

We meet the Israelis, kind of dawdling through their long, humdrum days, when the sing the opener literally about how they are waiting, just waiting, whether for something new and strange (they all want some strange) to come along, or just for the sky to go about changing its color. About how they stare into the distance expecting what they see to change but knowing that it never will. Luckily, the something new they dream about does come around to jolt their routine, and they are happy to feed and house the lost Egyptian musicians in their homes. Were people still nice and hospitable in the \u201890s? Maybe Israelis were? This show is so good it will make everyone love Jews! Anyway the villagers sing a few funny-sad-sarcastic songs about how nothing happens there and how time just passes and isn\u2019t that sooo great. I love the line \u201cSometimes time is an ocean\/This sofa is my boat and I\u2019m just drifting right along.\u201d I mean sure this might be happening in the Negev but show me one person in America who hasn\u2019t had that exact thought, albeit much less poetic I\u2019m sure, at some point? That\u2019s why this show is so good and so beloved already \u2013 it doesn\u2019t matter that it\u2019s about specific people in a specific place; it\u2019s genuinely just reflecting basic humanity, as most theatre tries to do but rarely so poignantly.<\/p>\n

And that basic humanity includes the yearning to connect with others, in any way \u2013 romantically, with friends, with family, as a parent, everything. The visitors want to find this connection, the villagers want to find this connection. John Cariani, that lovable nerd from Something Rotten<\/em>, plays an unhappy husband and new father who wants his marriage to be happier so they can raise their child better. He is adorably goofy, like with his parts in \u201cWelcome to Nowhere\u201d, but also brings such sad hope in \u201cItzik\u2019s Lullaby\u201d. Adam Kantor plays a guy who literally spends the entire show standing at a payphone, pathetically and pitifully waiting for his girlfriend to call. He finally gets to show off with the closer \u201cAnswer Me\u201d, which is one of the songs that will stay with you probably forever. I love both these guys and though they have a small amount to do (it\u2019s a 90 minute show! and nothing happens!) they manage to do it so well it breaks your heart. So will Ari\u2019el Stachel as one of the musicians, making friends with the yoots in the town and teaching one hapless one in particular, Papi (the adorbs Etai Benson), about love. His song \u201cHaled\u2019s Song About Love\u201d had me absolutely riveted, because his voice is out of this world. (It\u2019s unfortunate that his is the only song on the cast recording that doesn\u2019t show just how wonderful he is, but he still sounds great.)<\/p>\n

But no one will break your heart like Tony Shalhoub and Katrina Lenk. I know, SHALHOUB! Monk! He plays the king of the Egyptians, okay that\u2019s not really a thing, he\u2019s the band leader and a general I think but king of the Egyptians is a bonkers amazing title. His name is Tewfiq, which has replaced \u2018toe-pick!\u2019 as a fun thing my brother and I like to shout now. He\u2019s polite enough, and reserved, which is hard to maintain when faced with the unabashed, relentless flowing energy of Katrina Lenk as the local caf\u00e9 owner Dina. Lenk is spellbinding in this role, where she doesn\u2019t have much to do in a traditional musical theatre sense but she makes every moment feel like it\u2019s a universe condensed into a movement or a sound. One of the most mesmerizing performers in every aspect, she moves like a dancer while she sings, and sometimes you are more riveted by how she gestures with one graceful arm moving like a ribbon than by what she\u2019s saying. But what she\u2019s saying also feels like the most vital words ever put to music, like you need them in order to breathe. It\u2019s a revelatory performance, completely mesmerizing. If you don\u2019t believe me, go below and listen to \u2018Omar Sharif\u2019 and try not to repeat it 50 times in a row.<\/p>\n

Dina and Tewfiq both recognize what the other presents \u2013 a complete stranger, sure, but someone they didn\u2019t think they\u2019d have the opportunity to meet. It\u2019s not like it\u2019s love at first sight or something, it\u2019s literally just like \u2018hey you are\u2026of age\u2026and seem nice\u2026and I have zero options.\u2019 But it\u2019s a beautiful kind of forlorn hope you feel arise. Dina, the unstoppable energy force, takes Tewfiq out to dinner and they eat and then they sit in a park and that\u2019s the extent of what they do for most of the show, just sit and talk and it\u2019s not right how moving it is, it doesn\u2019t make any sense that it can be so heartbreaking and exquisite but it is. They\u2019re all trying to get through life, get through their day, and maybe find someone who cares that they\u2019re getting through it. It\u2019s all kind of sad and wonderful and at several points you\u2019ll do what I did, which is look around and say, \u2018this is happening on Broadway??!!\u2019 Fragile magic.<\/p>\n

Not just the short amount of time hinders the budding relationships – in friendships, mentorships, and maybe romantic ones – from flourishing. The reality that makes this show so special is also what hinders the characters from hoping for anything more than mediocre: they know that nothing really happens in life like you see in the movies. This is most evident in the song \u2018Omar Sharif\u2019, which will send chills down your spine the entire time Katrina sings it, or more accurately, the entire time the force of this music uses Lenk as a vessel to convey its message in an otherworldly sort of way. \u2018Omar Sharif\u2019 is an outstanding song and Katrina\u2019s performance during it may win her the Tony, so far away but almost a certainty. She and Tewfiq create pure magic in the park with ‘Something Different’, and despite seeing this opportunity they\u2019ve gotten, we all know and they know that nothing in their lives is really ever going to change. Katrina really steals the show, but it\u2019s in this scene where Shalhoub shows you why he so famous. I really almost went onstage to give him a hug when he shared what keeps him from trying or hoping for anything great, and I didn\u2019t even watch Monk.<\/p>\n

I wanted more music, because what there is is truly wonderful and different \u2013 it is SO Israeli with that middle eastern rhythm and tones of klezmer music \u2013 but I realize that anything more would harm the delicate thing happening onstage. David Yazbek has created a masterpiece. And David Cromer\u2019s masterful direction lets the play happen<\/em>, seemingly on its own, unfolding so naturally that it feels like a giant body of water, moving ever so slowly with no way of stopping it, slowing it down, or speeding it up. It just happens. There\u2019s so much restraint on everyone\u2019s part to keep the show small and subtle and natural, and that\u2019s what makes the result so special and somehow enormous. It\u2019s like it\u2019s happening in spite of itself, in spite of audience expectations, in spite of being in a Broadway theatre. (I bet this was even more magical when it was downtown in a small theatre, but apparently it still works.) That the unfolding of the action (what little there is) and the monotonous pace of these characters\u2019 lives seems unfettered and unfussed and so natural is really a tribute to everyone involved, letting there be such a subtle result. Like they sing in the show, “nothing is as beautiful as something that you don’t expect.”<\/p>\n

This show will stay with you after you\u2019ve seen it, staking permanent space in your mind so you think about it constantly. There\u2019s more silence happening on this stage than in any other theatrical experience I\u2019ve ever seen or heard of. Pure silence. That\u2019s weird right? An often silent, quiet and still show? And yet that silence is a revelation. It\u2019s not the kind that\u2019s filled with unease, that makes you think okay can someone just do something? No, you\u2019re content to just sit with them in that silence, to let it wash over you so you enjoy it all together, and to think with them about their nothing town and their predictable lives, and just, be. Just be in that space with these characters. With such a realistic portrayal of regular people in an unspecial town, silence and boredom and nothing<\/em> is required. Normal life has those moments, and since realism and honesty are honored here, the experience reflects real life.\u00a0 And that never really gets to happen in musical theatre. I\u2019ll admit at some of those moments I was itching for a song to begin, but that wouldn\u2019t have had the same effect. The restraint evident here is part of why it works. It languishes, it flows like a lazy river, and to tamper with that would throw off the sense of realism, the sense that we are just getting a peek into actual people\u2019s lives. And honestly I feel so lucky that I got to see into these people\u2019s lives, and that this little show for grown-ups with absolutely zero commercial promise on paper is so wonderful.<\/p>\n

STAGEDOOR<\/u>
\nI went to the very last preview before opening night, so the cast may have just been extra excited to share the love, but everyone came out and took pictures and happily talked to everyone waiting. The crowd is different from usual, because it\u2019s a lot of Israelis and Jews and Arabs who want to talk and it\u2019s so freaking awesome. The title of this post has HABIBI!! in it because that\u2019s the first thing I think of when I think about this show \u2013 the Israeli woman in the crowd at stagedoor who I think every time a cast member came out would scream HABIBI! in excitement. It was the best. It\u2019s telling such an important story and it\u2019s rare to get Middle Eastern people presented in a show where they are just average people with regular lives. So everyone is excited about that and you should be too.<\/p>\n

INFORMATION<\/u>
\nIt\u2019s a short 90 minutes with no intermission. If you\u2019re like me and you already have to pee just reading that, don\u2019t run to the toilets as soon as it ends because the musicians play a little amazing concert at curtain call.<\/p>\n

The most important information? The cast recording is now finished, and it\u2019s streaming on soundcloud. Entertainment Weekly has it here for you to listen to for free RIGHT NOW. Like I said above, try not to repeat \u201cOmar Sharif\u201d over and over and over and over\u2026<\/a>\n<\/div>\n

\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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