{"id":12112,"date":"2023-04-05T15:48:03","date_gmt":"2023-04-05T15:48:03","guid":{"rendered":"https:\/\/laughfrodisiac.com\/?p=12112"},"modified":"2023-04-05T15:51:17","modified_gmt":"2023-04-05T15:51:17","slug":"drive-your-plow-over-the-bones-of-the-dead-real-title","status":"publish","type":"post","link":"https:\/\/laughfrodisiac.com\/2023\/04\/05\/drive-your-plow-over-the-bones-of-the-dead-real-title\/","title":{"rendered":"Drive Your Plow Over the Bones of the Dead: Real Title!!"},"content":{"rendered":"\n

It’s Theatre Thursday! Today’s show is called Drive Your Plow Over the Bones of the Dead and played at the Barbican until April 1.<\/p>\n\n\n\n

I’m so excited to write about the show we have been referring to simply as ‘Ow My Bones!’ for literally months. I am not excited to admit that that was because we weren’t familiar with the title because we didn’t know it was a book, but apparently it was and made a splash that I missed. And I love water! Not only was I unfamiliar with the source mats, but I also didn’t realize that Ow My Bones was pretty much a drama about animal justice. HERE. FOR THIS. SHIT.<\/p>\n\n\n\n

Also, it’s coming from Simon McBurney and Complicite, who are always complicite in providing challenging and unique theatre. Sometimes they’re a little dark for me but the troupe is always doing something interesting. Like here: it’s dark af but it’s about like vigilante justice for animal abuse so again, I could not BE any more here for it.<\/p>\n\n\n\n

In Ow My Bones, a lady named Janina (an incredibly captivating when I saw the show in previews (so long ago sorry) Kathryn Hunter) living in a remote Polish mountain town of 14 people learns that her asshole neighbor has died. It seems he choked on bones (ow!) but Janina has a gut feeling that the deer she made eye contact with outside had something to do with it. It was honestly hard not to start fist pumping when assholes who were cruel to animals starting dying. As more bad men (members of the hunting club) show up dead, we learn more about their history of being absolute dickheads to animals, women, pretty much everyone who counts (i.e. not hunters), and we hear Janina’s theories of how the animals are behind it all, somehow taking revenge. Everyone thinks she’s crazy, because I guess ON PAPER it SOUNDS crazy, but I was like, ‘this chick gets it.’<\/p>\n\n\n\n

One of the reasons it took me so long to write this is because Kathryn Hunter got sick before opening night, so they delayed it, (and then I forgot), and then it opened with another actress, which is a shame, because I’m sure she’s amazing too as everyone in Complicite is, but with Kathryn Hunter it felt like her blood flowed to be on that stage playing that character. Even when she flubbed some lines (understandable she’s reciting like hours of text up there and it was previews) she was still supes powerful. Considering that hers was the only performance I remember disliking in Andor, this b really is a talented chameleon.<\/p>\n\n\n\n

Ow My Bones is a little long, and about 3\/5 through the first act it dragged a bit, but otherwise it was incredibly engrossing and powerful which is impressive considering it’s mostly one tiny woman talking at<\/em> us for hours; that’s really hard to make captivating! Kathryn reminded me in sound and physicality of Linda….the little one who I first saw in that movie with the teenager who becomes like a secret agent or something but all I really remember is a woman being bitten by a scorpion in a pinkish bedroom???? HUNT. ooh ironic. (Anyone know what movie I am thinking of?) And while she’s the main act, the ensemble and supporting players are all stellar. I particularly loved the physicality (wow I’ve literally never said this word so much) of the ensemble, when they did little precise movements that contained a whole universe of creativity.<\/p>\n\n\n\n

Anyway I was the teensiest bit disappointed in the ending (not how it’s staged, just as written) because I wanted Janina to be right; I wanted the animals to be doing these murders all on their own so I could have hope that they would fight back against all the shits ruining their existence in our world too but I guess that is a lofty lofty dream. Man the first act as a standalone would have been pure fire. But even so, I really enjoyed this which is shocking for me given the aforementioned darkness, violence, length (about three hours), and big time use of astrology (but honestly this character was the closest anyone has ever come to making me give it the time of day). Man, honestly though, a whole play (and book) about the possibility of animals getting revenge on hunters and poachers and the people who let them get away with it?? did *I* win a contest??<\/p>\n\n\n\n

INFORMATION (NOT THAT YOU CARE SINCE IT’S OVER BUT MAYBE IT’LL HAVE ANOTHER RUN SOMEDAY SOMEWHERE SOMEHOW)<\/span><\/strong><\/p>\n\n\n\n

Start: about 7:52<\/p>\n\n\n\n

Act I ends: 9:15<\/p>\n\n\n\n

Act II begins: 9:37<\/p>\n\n\n\n

Act II ends: 10:41<\/p>\n\n\n\n

Barbican is the one theatre where no matter what we are always going upstairs. The stalls are my nightmare — incredibly long rows with no aisle breaks except at the ends so you could get trapped and have to get past like 30 people if you have to pee, it’s just horrendous to even think about. Upstairs in the upper circle you can have your own entrance door and no one behind you and it’s cheaper too.<\/p>\n\n\n\n

The bathroom situation at Barbican continues to be the worst though, you either run down to a small one house left below the stalls or you go all the way out the theatre to like the movie theatre area. Woof.<\/p>\n\n\n\n

The show uses big flashes a bunch, flashes that are blinding and upsetting. They are not upsetting in a theatrical ooh this is working for me way; they are upsetting because they are blinding. CAN. THEATRES. PLEASE. STOP. DOING. THIS.<\/p>\n\n\n\n

Restaurant recommendation for pre-theatre: Korean BBQ & Vegan has moved from East London to here! Like around the corner! And they’re so fast and great. Two enthusiastic thumbs up.<\/p>\n","protected":false},"excerpt":{"rendered":"

It’s Theatre Thursday! Today’s show is called Drive Your Plow Over the Bones of the Dead and played at the Barbican until April 1. 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