{"id":11921,"date":"2022-05-31T07:47:00","date_gmt":"2022-05-31T07:47:00","guid":{"rendered":"https:\/\/laughfrodisiac.com\/?p=11921"},"modified":"2022-05-31T10:22:17","modified_gmt":"2022-05-31T10:22:17","slug":"i-cant-believe-back-to-the-future-won-the-olivier","status":"publish","type":"post","link":"https:\/\/laughfrodisiac.com\/2022\/05\/31\/i-cant-believe-back-to-the-future-won-the-olivier\/","title":{"rendered":"I Can’t Believe Back to the Future Won the Olivier"},"content":{"rendered":"\n
The omission of Einstein isn’t even the worst part.<\/em><\/h2>\n\n\n\n
A good musical justifies the use of music — it should be an important component of the show that helps to tell the story better. And the creators’ answer to the necessary question of ‘what purpose does the music serve?’ cannot be simply ‘to make the show a musical’. I feel like this fact is why UK musical theatre is not taken as seriously as it is in NYC – because if you’re adding music just for the sake of adding music, which seems to be sooo ofteeennn theee caaaase, and not so the music actually serves a purpose, it’s not going to be good, it’s not respecting the art form.<\/p>\n\n\n\n
To justify musicalizing a movie, you need to answer the above AND be able to offer something to the question of ‘why don’t I just watch the movie instead?’ Even with ‘Mean Girls’ on Broadway, which was heavily not great and obviously unedited and needed at least 20 minutes cut from each act which were chock full of similar sounding songs…okay I’ll stop since this isn’t about Mean Girls but anyway, even there, it was able to justify its stage existence through some great characterizations (everything Kate Rockwell did, Taylor Louderman’s existence) and hilarious lines (everything Grey Henson said), and it justified being a musical with some actually good songs that served the story and characters well (World Burn, Meet the Plastics, a few more). Even though 7 songs were carbon copies that served no purpose, overall it justified its existence as a separate entity from the movie.<\/p>\n\n\n\n
Why am I talking about ‘Mean Girls’? Because despite its flaws, it was able to answer the two questions above. ‘Back to the Future: The Musical’, which somehow (f-ing London) won the OLIVIER, was not. With its lackluster score full of cliched lyrics, it reminded me more of the stage adaptation of ‘Pretty Woman<\/a>‘, and we all remember how that trainwreck was.<\/p>\n\n\n\n