{"id":11901,"date":"2022-05-04T09:54:56","date_gmt":"2022-05-04T09:54:56","guid":{"rendered":"https:\/\/laughfrodisiac.com\/?p=11901"},"modified":"2022-05-04T09:54:58","modified_gmt":"2022-05-04T09:54:58","slug":"anyone-can-whistle-at-the-southwark-a-star-turn-a-weird-show","status":"publish","type":"post","link":"https:\/\/laughfrodisiac.com\/2022\/05\/04\/anyone-can-whistle-at-the-southwark-a-star-turn-a-weird-show\/","title":{"rendered":"Anyone Can Whistle at the Southwark: A Star Turn, A Weird Show"},"content":{"rendered":"\n
Today’s show is Anyone Can Whistle, at the Southwark Playhouse in London until May 7, so hurry (or not)<\/em><\/p>\n\n\n\n It’s not often you get to see a new-to-you Sondheim show when you’re a Sondheim devotee! Or ever! But indeed the Southwark’s production of his insane musical Anyone Can Whistle, with book by noted goofball and apparent magic mushroom-lover Arthur Laurents (I’M JOKING) (am I), is my first full production of his lesser-known show. Sure I knew the score, especially those bangers “There Won’t Be Trumpets” (thanks to Mandy Patinkin) and “Everybody Says Don’t” (thanks to Sutton Foster). How could I have ever guessed that the fairly decent-to-great songs compose a show that would have us going ‘what’ ‘why’ ‘what’ ‘wait but why’ every few minutes?<\/p>\n\n\n\n Anyone Can Whistle tells the tale of a corrupt mayor (excuse me, ‘mayoress’) and her lackeys who need to get money into their very poor town, in which the only operating business of any sort seems to be the mental institution ridiculously named The Cookie Jar, with all patients (inmates) called cookies. (Is Paula’s nickname for Rebecca on “Crazy Ex-Girlfriend” Rachel Bloom’s little nod to Sondheim? I say yes.) They…they decide to pump a rock full of water? and have it be a miracle when much needed water comes shooting out of a rock. Pilgrims mfing FLOCK to see the magical water miracle. They’re all like (Lewis Black voice) ‘we gotta SEE the big fucking thing!’ Money pours in as the mayoral team sells tickets to see this water rock. I’m not saying I wouldn’t pay money to see a nice water feature but that’s just me I’m weird. As a town-saving gimmick, this shit’s A LONG SHOT. INTO THIS STORY SO FAR! KEEP UP THE NONSENSE IN A FUN WAY.<\/p>\n\n\n\n The nurse at the Cookie Jar (imagine going to nursing or medical school and being a professional healthcare worker and having to tell people your facility is called The Cookie Jar), Nurse Apple, wants to bring all her cookies to the miracle, either to prove it’s fake or just in case it’s legitimate, it’s unclear. This is where things started to get dicey and not in a ‘oh we’re all having fun!’ way. Apple’s only characterization from the book is that she’s skeptical and straight-laced, and I needed more\/any further character development from the actress to make her make sense. She says she wants a hero to deliver the town from corruption, to save her cookies? And so she disguises herself as a French miracle inspector. It makes no sense if all we get is that this nurse is a no-fun-having idealist whose big idea is to dress like a French prostitute who just woke up to try to shut the miracle down. Could’ve done that in oodles of other ways that weren’t so nothing, Arthur. GETTING LESS INTO THIS STORY.<\/p>\n\n\n\n Meanwhile, a man named Hapgood shows up and the town is like ‘oh are you the new doctor for The Cookie Jar’ and he’s like OKAY SURE! and no one asks Dr Timothee Chalamet for like ID or anything, so immediately a thinking person would guess that he’s def NOT the doctor but he’s charismatic like a bright bone-free human version of the inflatable things outside car dealerships, and they tell him ‘okay you’re in charge of figuring out who’s crazy and who isn’t, just like, go through the town and tell us who gets locked up in the jar.’ NOT THE BEST SYSTEM. Then he and the disguised Nurse Apple meet and immeds try to seduce each other for very unclear reasons. From here, the last 10-15 mins of Act I (and then all their scenes in II) become tedious because it’s hard to know how <\/em>to be onboard with whatever’s happening, because what is happening? Are they actually into each other? Did they have any clue who the other was? Why is she dressed like this? Is the abrupt change from the silly French joke song (which did have some funny lines) to the heartfelt title song supposed to be sincere?? How are we supposed to make that jump? It doesn’t have a payoff. And though they are both clearly talented actors, I felt they were both unforch miscast, at least when taken together. We need their chemistry to build support for the weak story, but they have no chemistry, so much so that it’s like a negative amount and made it hard to accept love at first sight (if that’s what we were supposed to take from it?). Like in a college play my best friend’s now-husband and I were voted Third Most Awkward Couple in the show but if this couple were in it we would have gotten Fourth, or even like Tenth because that’s how many places they would claim with their abundance of no-chemistry.<\/p>\n\n\n\n From here it gets confusing about what’s happening and honestly the wikipedia plot summary doesn’t seem to match what I saw, so maybe they updated things but it wasn’t clear. The miracle gets shown to be a fraud, yada yada yada, Hapgood is revealed to be a new cookie\/patient, yada yada yada, Apple and Hapgood decide to be together. OFFICIALLY NOT A FAN OF THIS STORY.<\/p>\n\n\n\n So yeah it’s weird af and not in a fun ‘let’s ride this crazy train all the way to Kansas’ way, since the lack of strong character development made it hard to jump on board since you’re like ‘but where is the train, does this train know it’s a train’. But this production is entirely worth seeing for one reason: Alex Young as Mayor(ess) Cara Hoover Hooper. Even in her first performance with a sprained ankle and on crutches, she has the audience eating out of her hand, especially me, this supes old lady in the front row who was LIVING for her, and the young man in the front row who became one of the main characters. She has the comic timing and fully inhabited presence of an actor that understands the character she’s playing, which is rare. Every utterance and glance is hysterical and entertaining. I was giggling like a cookie at everything she did. She’s giving a masterclass in using the audience, too; everything she did with\/to the aforementioned man was genius-level improv (even though drinking from his glass gave me the covid shivers, but no one cares about that anymore!). And while I think those two main characters were miscast, they and the rest of the cast overall were game and energetic.<\/p>\n\n\n\n MASK COUNT: 7<\/p>\n\n\n\n SOUTHWARK PLAYHOUSE PIZZA STATUS: STILL GREAT<\/p>\n","protected":false},"excerpt":{"rendered":" Today’s show is Anyone Can Whistle, at the Southwark Playhouse in London until May 7, so hurry (or not) It’s not often you get to see […]<\/p>\n","protected":false},"author":2,"featured_media":11902,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[147,146],"tags":[],"class_list":["post-11901","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","category-theatre"],"yoast_head":"\n