{"id":11751,"date":"2021-10-21T08:00:00","date_gmt":"2021-10-21T08:00:00","guid":{"rendered":"https:\/\/laughfrodisiac.com\/?p=11751"},"modified":"2021-10-21T10:11:18","modified_gmt":"2021-10-21T10:11:18","slug":"tokyo-rose-new-musical-has-potential-but-needs-attention-vegan-pizza","status":"publish","type":"post","link":"https:\/\/laughfrodisiac.com\/2021\/10\/21\/tokyo-rose-new-musical-has-potential-but-needs-attention-vegan-pizza\/","title":{"rendered":"Tokyo Rose: New Musical has Potential but Needs Attention, + VEGAN PIZZA!"},"content":{"rendered":"\n

It’s Theatre Thursday! Today’s show is Tokyo Rose, a new musical that played the Southwark Playhouse until October 16.<\/em><\/p>\n\n\n\n

A new musical about a true story out of World War II recently played the Southwark…and I’m not talking about Operation Mincemeat!<\/a><\/em> Seriously, if this is the new direction that Southwark Playhouse is going in, I’m not complaining. What a fun niche to specialize in! Today’s actual show, Tokyo Rose, <\/em>has been making the lower rounds in the past few years and after some edits and extensions, it has hit London. It has promise and potential, but it needs further work to capitalize on that.<\/p>\n\n\n\n

Tokyo Rose <\/em>tells the story of Iva Toguri, the Japanese-American who became a wartime radio personality in Japan and was accused, convicted, and later pardoned of treason for possibly sharing Axis propaganda. Above all, Iva was an American-born young girl whose parents send her to Japan IN THE MIDDLE OF A GOTTAM WAR because her aunt is dying and her mom wants someone to be there with her sister, even though auntie and Iva never met ever and did I say it’s the middle of a GOTTAM WAR? Iva’s mother couldn’t go ostensibly for documentation reasons and that’s very sad but like how unbelievably stupid do you have to be to send your Japanese daughter to Japan IN THE MIDDLE OF A WAR? (Also, I did further research and apparently Iva didn’t have a US passport either when she left…um…oh gosh. Maybe the mother just thought since Iva was a citizen she wouldn’t have any trouble? JE. SUS.) True Japan wasn’t yet in the war against America (that would come mere months after Iva’s arrival overseas) but for crying out loud it was already at war with China and Manchuria and Inner Mongolia and French Indochina and MORE and had already signed up with Germany and Italy by this time! I MEAN WHAT THE HELL WERE YOU THINKING?<\/p>\n\n\n\n

This makes it hard for me to believe that this family could really be this ignorant of what her trip would mean. But the musical does not portray her story as though there is any grey area around Iva’s intentions, or her alleged traitorous behavior as something for us to determine for ourselves. Instead, this show is firmly and unshakeably putting forth that she was the victim of horrible injustice with endless bad luck. And it’s probably true, that it was just a series of unfortunate events and bad decisions that led her to being found guilty of treason against the USA, but man, those are some REALLY bad decisions.<\/p>\n\n\n\n

The musical tells of how Iva was just an adorable little college student ready to study medicine and become just the cutest little doctor you’ve ever seen, but then the parents make their horrible decision and off she goes to begin a life of injustice and survival. The book is pretty well constructed: It begins with her treason trial and tells the story of her life through flashbacks, coming back and forth to the trial along the way. (We have enough to talk about so I am not going to rail against the creators for not being legal experts in the portrayal of the trial, but can I just mention that the trial occurred in San Francisco, so not everyone needs to have southern accents.) Although I have one huge recommendation re the trial: At one point late in Act II, the judge says ‘we will now take a 20 minute recess.’ MY GOD, how did the people involved not make that line the interval break! I MEAN COME ON YOU DON’T NEED TO BE A DRAMATURG FOR THAT ONE! Would be absolutely hysterical. <\/p>\n\n\n\n

Also — the whole part of her being on the radio in Japan – you know, like the main thing<\/em> she’s known for – is very confusingly done. It wasn’t clear what was happening and what if anything was going to come back to bite her, so if you didn’t know the facts coming in I imagine you’d be lost. Especially since her big ‘ooh I’m broadcasting to soldiers’ moments were loud club numbers that didn’t tell story. <\/p>\n\n\n\n

And so where the show needs to focus its revisions is mainly on the score. This score makes this show effectively the shrieking Olympics. Maya Britto as Iva can sing her heart out, but wow, she shouldn’t have to destroy her voice. People complain about how badly Wicked<\/em> ruins voices but all these new British scores trying to be like Six <\/em>are way too heavily reliant on belting, and oftentimes it’s just shrieking. And this is very clearly trying to be like Six <\/em>and & Juliet<\/em> and too many more. Anyone training in classical musical theatre nowadays would not be able to do this stuff long-term. But even more frustrating, the existing score is a lost opportunity for an original<\/em> original score. This shit is taking place in the 1940s, and instead of amazing Big Band numbers and a take on the Andrews Sisters, we get dance club and flashing lights. I get that the whole ‘historical tale with modern music’ is a genre now but at this point in this genre’s hopefully not-too-long shelf life, it just feels tired.<\/p>\n\n\n\n

And unfortunately, the lyrics don’t do the same-sounding songs any justice. The lyrics are primarily generic platitudes, repeated over and over, like greeting card messages. It’s a bit cringey too often. I think it full out needs a new score, maybe minus 2 songs (like Iva’s big 11 o’clock number, that was fairly strong.)<\/p>\n\n\n\n

One more thing I found a little eek-face is that, in the last section, they kept repeating how Iva could be the first person ever pardoned after a conviction for treason, and framing it like it was this huge moment for justice to finally be done. But, guys, her situation was very specific. Hers was a huge injustice, but they said it like everyone’s <\/em>was, like it was always a criminal charge that shouldn’t exist? But everyone else<\/em> convicted of treason deserved it. It was a weird thing to harp on as though treason were an unfair thing to be accused of, you know?<\/p>\n\n\n\n

Honestly this show has a lot of potential because the story it tells is interesting. I hope it works on the telling and gets to do it again.<\/p>\n\n\n\n

INFORMATION<\/span><\/strong><\/p>\n\n\n\n

Yes we are incredibly behind schedule, sorry that this already closed but hopefully my opinions can guide revisions (lol fat chance).<\/p>\n\n\n\n

It was almost exactly 2 hours 30 minutes, beginning at 7:30 and ending at 10:06. It’s felt a little too long.<\/p>\n\n\n\n

Southwark, like every other London theatre, does the whole ‘we recommend you wear masks but we can’t make you’ farce and so most people were not wearing masks. (Luckily the people behind us were.) Aside from that, the audience was…pretty bad! Lots of phones and talking and, our favorite part, during Iva’s big climactic moment, there was an important silence and this asshole near the front decided to OPEN A CAN OF SODA during that moment. I just. what are people. burn it all down.<\/p>\n\n\n\n

<\/p>\n\n\n\n

PIZZA<\/span><\/strong><\/p>\n\n\n\n

SOUTHWARK PLAYHOUSE HAS A PIZZA OVEN NOW. And they have vegan options (not just one!). And it was really good! They said they use Sheese cheese, which no one has used in years since Violife etc came on the market and honestly I am really happy with that decision. It’s much better than I remember and no one else is using it so it’s a strong choice. We are seriously going to have pizza there before every show. Could not be more excited for a theatrical development (except for mask mandates).<\/p>\n\n\n\n

\"\"
HALLELUJER for not charging more for the vegan option. Could not love them more for this. <\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
PIZZAAAAAAA IN THE MORNING PIZZA IN THE EVENING PIZZA AT SOUTHWARK PLAYHOUSE<\/figcaption><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"

It’s Theatre Thursday! Today’s show is Tokyo Rose, a new musical that played the Southwark Playhouse until October 16. A new musical about a true story […]<\/p>\n","protected":false},"author":2,"featured_media":11752,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[147,146],"tags":[],"class_list":["post-11751","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","category-theatre"],"yoast_head":"\nTokyo Rose: New Musical has Potential but Needs Attention, + VEGAN PIZZA! - Laughfrodisiac<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/laughfrodisiac.com\/2021\/10\/21\/tokyo-rose-new-musical-has-potential-but-needs-attention-vegan-pizza\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tokyo Rose: New Musical has Potential but Needs Attention, + VEGAN PIZZA! - Laughfrodisiac\" \/>\n<meta property=\"og:description\" content=\"It’s Theatre Thursday! 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