{"id":11572,"date":"2020-07-09T16:40:59","date_gmt":"2020-07-09T16:40:59","guid":{"rendered":"https:\/\/laughfrodisiac.com\/?p=11572"},"modified":"2020-07-09T16:41:04","modified_gmt":"2020-07-09T16:41:04","slug":"lungs-but-socially-distanced-the-perfect-play-for-a-pandemic-though-not-a-perfect-play","status":"publish","type":"post","link":"https:\/\/laughfrodisiac.com\/2020\/07\/09\/lungs-but-socially-distanced-the-perfect-play-for-a-pandemic-though-not-a-perfect-play\/","title":{"rendered":"Lungs but Socially Distanced: The Perfect Play for a Pandemic, Though Not a Perfect Play"},"content":{"rendered":"\n

Recently, the Old Vic held pandemic-safe performances of last year’s hit production of Lungs<\/em>, starring Claire Foy and Matt I-always-want-to-say-Lucas-but-it’s-definitely-not-Matt-Lucas Smith. Since I missed the regular run of this modern four-hander (yes correct), I was super excited to catch this version – which was performed live at the Old Vic, but to an empty auditorium and streamed to a virtual audience. The two actors also stayed six feet apart on the stage, with two different cameras on them at all times. Honestly, it was the perfect play to test this sort of format. Since it’s about a distressed couple, it worked well to see both characters the entire time separated by space and camera angles, and since it’s a one-act it worked well for me to be closer to a bathroom break without disrupting anyone (I love an interval).<\/p>\n\n\n\n

The livestream situation was better considered and executed than the play itself. Duncan Macmillan’s present-day look at a couple deciding whether it’s morally wrong to have children was, shall we say, relevant to our interests. We were really excited to see a deep-dive into the ethical considerations that millennials discuss as part of this decision, and to see how they grapple with these considerations, how they make this extremely difficult decision. And we got the first part. The two famously talented actors have the early parts of the conversations that we’ve all had, with the same comments about carbon footprints, but then…then they just decide they want a kid, without applying the conversation to that decision at all. Then that aspect of the play – the aspect that it was billed as being entirely about – was finished.<\/p>\n\n\n\n

Instead, it became a look at this couple’s particular dysfunctions from then on, like any other play about a couple. And it was compelling, but I found it too disjointed. It was like two separate plays morphed into one. The first part, about the ethics of procreating while the world is on fire, ended just when it would have been the most compelling: once they actually decided to have a baby, once they had to actually own their decision and defend it, the part that would have been novel.<\/p>\n\n\n\n

On its own, the second half was an interesting look at this couple that I was not <\/em>rooting for (but maybe I’m biased against them because the glaring, grimacing Matt Smith at times looked like a goddamn bare-hands murderer (i.e. a man who doesn’t need a weapon; he will kill you with his bare hands), while Foy looked like a sweet lil bunny rabbit (not helped by her juvenile overalls, which I LOVED)), but it felt like a completely different show, seen through a lens that wasn’t in play at the start and with some hella shocking time jumps. The only common thread throughout was that they always wondered if they were good people – they said the phrase ‘good people’ about themselves so many times that it’s a shame that was already taken as a play title. But they never actually tried to, or wanted to, answer that question.<\/p>\n\n\n\n

Still, it was wonderful to see a live play even though I wasn’t there. Knowing they were performing right then was definitely on improvement on these past recordings we’ve been watching, although nothing like being in a theatre. Also, I can’t see this working for anything other than two- or four-handers, which means the big shows (and musicals) won’t be coming in live to my living room.<\/p>\n\n\n\n

INFORMATION<\/span><\/strong><\/p>\n\n\n\n

The Old Vic’s In Camera<\/em> series continues on their website with rehearsed play readings.<\/p>\n\n\n\n

The stream occurred over Zoom, which is annoying, because Zoom sucks. Also, it’s kind of ridonk that even shows where the whole audience is home still start 10 minutes late.<\/p>\n\n\n\n

And because I can’t go a day without finding a mistake in a leading paper, I have to point out that The Guardian’s piece on this livestream event said “although all audience members will have the same view, tickets will be priced from \u00a310\u201365 with virtual theatre-goers asked to give what they can to help support the theatre.” Erm, no, theatre-goers weren’t ‘asked to give’ shit; we bought tickets from the website just as we normally would and were stuck with whatever price point we could get (the 10 pounders were gone quick and we weren’t ‘asked’ to give more) for whatever date they showed us first. Luckily we didn’t get stuck with the \u00a365 tickets but man alive I can’t imagine paying that much to look at my computer, no matter how good the show.<\/p>\n","protected":false},"excerpt":{"rendered":"

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