{"id":11493,"date":"2020-03-13T13:07:28","date_gmt":"2020-03-13T13:07:28","guid":{"rendered":"https:\/\/laughfrodisiac.com\/?p=11493"},"modified":"2021-11-09T21:57:20","modified_gmt":"2021-11-09T21:57:20","slug":"one-jewish-boy-at-trafalgar-studios-is-incisive-upsetting-too-relevant","status":"publish","type":"post","link":"https:\/\/laughfrodisiac.com\/2020\/03\/13\/one-jewish-boy-at-trafalgar-studios-is-incisive-upsetting-too-relevant\/","title":{"rendered":"One Jewish Boy at Trafalgar Studios is Incisive, Upsetting, & Too Relevant"},"content":{"rendered":"\n

Honestly, forking finally. Stephen Laughton\u2019s One Jewish Boy<\/em> is the Jewish\nrepresentation London\u2019s theatre\nscene has been not only severely lacking but opening mocking the need for. A\nfour-hander (that\u2019s right) telling the story of a couple \u2013 one Jewish boy and\none mixed race girl \u2013 over their 15-year relationship, Laughton\u2019s work is like\nall our (the chosen our) anxieties about identity and prejudice in anti-Semitic\nEngland and the world at large distilled into an hour and a half of excellent,\ninventive, heartbreaking story-telling.<\/p>\n\n\n\n

\"\"
Photo credit Pamela Raith Photography<\/figcaption><\/figure><\/div>\n\n\n\n

One Jewish Boy<\/em> shares\nthe relationship of Jesse and Alex and how anti-Semitism (and specifically its\neffect on the titular boy) affects their happiness. The storytelling jumps around\nthrough time to show Jesse and Alex at different points, from the day she\nserves him with divorce papers to the day they first meet, from their wedding\nday to the day he proposes, the day they decide to have a baby, in seemingly\nrandom but ultimately poignant order. The key flashback is glimpsed multiple\ntimes but never fully shown: a 2013 attack that left Jesse hospitalized. He was\nbeaten on the street for being Jewish, as his white supremacist attackers\nshouted things about Hitler and gassing (lines that are played several times on\nthe speaker system, definitely necessitating more of a trigger warning than I\nsaw anywhere). Jesse rightly deems this a hate crime, and understandably\nsuffers a sort of PTSD for years and years to come, as this realization of how\nmuch hate exists threatens his ability to live fully and without constant fear,\nfor him and his son and his community. Alex thinks he should get over it.<\/p>\n\n\n\n

Now I said that a little flippantly, and Alex does give him\ntime (although the anti-therapy vibe is so very British and so very infuriating\n(and accurate)), but ultimately she cannot abide his inability to get over it.\nEven though it\u2019s impossible not to be haunted by that sort of trauma, she sees\na line where that crosses into debilitating preoccupation. And this is one of\nthe several incredibly difficult and heavy ideas that this play handles so\nwell. Even though I tended to side with Jesse, you see where Alex is coming\nfrom, regarding this and all their problems. Alex wants Jesse to stop letting\nhis attack define how he sees the world. As someone who is mixed race, she\ndefinitely has experience with racism and with coping with it, and her view is\nvalid. (Although it\u2019s kind of ridiculous to ask a Jew to stop being anxious,\nlike is she new.) <\/p>\n\n\n\n

Where the play excels is in presenting these significant\nissues in a provocative way, where even if you side with one of them, you\nunderstand both and there\u2019s no clear answer. The content is difficult because\nit\u2019s so relevant, for really all young people trying to navigate a world of\nmore blatant racism as well as longstanding cultural differences with the\npeople in their lives. Laughton touches on incredibly important concepts like\ninherited trauma (done so well on season 2 of Transparent<\/em>, btw), circumcision, and even who to vote for. (I\nappreciated the very new bits about Labour and Corbyn\u2019s anti-Semitism in the\nrecent general, since people are still blaming Jews for his loss and I could go\non a big long rant as I have before about how Jews are really the only group to\nbe blamed for not happily supporting people who have clearly shown to be\nagainst them but I won\u2019t do that right now.)<\/p>\n\n\n\n

A lot of the content is distressing and leaves you with a\n\u201cwell, fuck\u201d kind of sigh, so the amount of laughter throughout is pretty\nremarkable. That\u2019s due to the writing (some of the jokes, my god, RightMove is\nthe Tindr for married people?? THAT IS TRUE) as well as the superb\nperformances. Robert Neumark-Jones makes his Jesse open and vulnerable and\ndeeply felt while also remaining likeable even when he\u2019s being a dick, driving\nAlex, a vibrant Asha Reid, crazy in the good and bad senses of the word. It\nseemed obvious to me that in the sort of battle where no one is right or wrong,\nJesse was clearly not wrong, but it could be that I identified with and\nunderstood him more for the obvious reasons. Or maybe I side so strongly with\nJesse because he liked to stay home and Alex seemed like a \u2018fun girl\u2019 who likes\nto go out, yeesh. But they both feel so authentic and so connected to each\nother\u2019s performances, making their characters\u2019 fundamental differences all the\nsadder. <\/p>\n\n\n\n

The only thing I actively disliked was putting forward as fact, through Jesse\u2019s statements, the dangerous idea that white Jews are not white. This is an ugly battle that Jews face, and to give in to the idea that Jewish is a race and not a religious or cultural identity plays into and gives ammunition to the ever-increasing othering. It wasn\u2019t clear if this was a statement being made by the author or a nuanced way to show that Jesse was going over the top with his obsession about the world rejecting him, but even if it was the latter I don\u2019t think it will be clear to many theatergoers, who might think \u2018oh I guess white Jews aren\u2019t white’ (and London audiences are traditionally mmm not the best at getting nuance with these sorts of issues; see e.g. every single other review of mine).<\/p>\n\n\n\n

Aside from that, One Jewish Boy<\/em> is an exceptionally discerning and sensitive play, with sharp writing and strong performances. It\u2019s a must-see for anyone who cares about society\u2019s prejudice and racism and rising hate, which should be everyone. <\/p>\n\n\n\n

<\/p>\n\n\n\n

INFORMATION<\/span><\/strong><\/p>\n\n\n\n

One Jewish Boy is playing at Trafalgar Studios 2, the small\nstudio, until April 4. Studio 2 is on the bottom level, the same as the bar,\nwith one 4-stall ladies room next to the bar. There are no bad seats as it\u2019s a\nsmall square, but I had the best seat in the history of theatre and I\u2019m super\nthankful \u2013 right next to the door. Also it was 20 minutes shorter than I\nanticipated so I was OKAY (shout out to Greg Serrano (you know what I mean)).<\/p>\n\n\n\n

There is some smoking, not to much but amplified by the tiny\nunventilated room, which got a little rough for me but most people should be\nfine. If you\u2019re in the front row you will get vaped in the face. <\/p>\n","protected":false},"excerpt":{"rendered":"

Honestly, forking finally. Stephen Laughton\u2019s One Jewish Boy is the Jewish representation London\u2019s theatre scene has been not only severely lacking but opening mocking the need […]<\/p>\n","protected":false},"author":2,"featured_media":11494,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[147],"tags":[],"yoast_head":"\nOne Jewish Boy at Trafalgar Studios is Incisive, Upsetting, & Too Relevant - Laughfrodisiac<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/laughfrodisiac.com\/2020\/03\/13\/one-jewish-boy-at-trafalgar-studios-is-incisive-upsetting-too-relevant\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"One Jewish Boy at Trafalgar Studios is Incisive, Upsetting, & Too Relevant - Laughfrodisiac\" \/>\n<meta property=\"og:description\" content=\"Honestly, forking finally. 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