{"id":11380,"date":"2020-02-24T15:26:51","date_gmt":"2020-02-24T15:26:51","guid":{"rendered":"https:\/\/laughfrodisiac.com\/?p=11380"},"modified":"2020-06-08T22:10:58","modified_gmt":"2020-06-08T22:10:58","slug":"the-rage-of-narcissus-provocative-disturbing-new-work-at-the-pleasance","status":"publish","type":"post","link":"https:\/\/laughfrodisiac.com\/2020\/02\/24\/the-rage-of-narcissus-provocative-disturbing-new-work-at-the-pleasance\/","title":{"rendered":"The Rage of Narcissus: Provocative & Disturbing New Work at the Pleasance"},"content":{"rendered":"\n

With all the theatre we see (it\u2019s a lot), there are only a few times when all we can say to each other at the end of a show is \u2018well, shit.\u2019 But that\u2019s exactly what we said after the new production of The Rage of Narcissus<\/em> by Sergio Blanco, a thrilling, frightening, too gory, captivating performance that\u2019s powerful in its elusiveness and its vague metaphors but also will leave you thinking wait\u2026what? and HOW? The dreamy abstractions were somehow effective in making us feel what we were supposed to feel (horrified?) while simultaneously being unclear in what exactly they were and why. The show is a hazy whirlwind that mixes reality and fantasy and fiction and biography into a cautionary tale of some sort. However, what it\u2019s cautioning against is unclear, partly in the good artsy way and partly in a bit of an unsatisfying way. <\/p>\n\n\n\n

\"\"
I know he wasn’t actually on the actual carpet but I shivered from the gross when he did this NEVER LAY ON THE HOTEL FLOOR THEY ARE DISGUSTING i mean he knew but still<\/figcaption><\/figure><\/div>\n\n\n\n

The Rage of Narcissus<\/em>\ntells the story of how Sam Crane, the adept actor, came to play Sergio Blanco,\nthe writer, but a character version of Sergio in this not-all-true (I mean\nobvs) autobiographical-but-fictionalized account of his time at an academic\nconference in Ljubljana, which is a horribly fun word to try to type\naccurately. It\u2019s an extremely meta show, with\nSam-the-actor-but-also-a-characterized-version-of-himself playing\nSergio-the-writer-but-fictionalized and repeatedly breaking the fourth wall to\ntell us the \u2018truth\u2019 about the story\u2019s events outside how he\u2019s presenting it\nthat there are really no remnants of a fourth wall to be found once the show\nbegins. The construction of this production, with its great use of video and\nlighting, is one of the most distinguishing aspects of it, intriguing and\nmind-bending and ensuring that what\u2019s happening onstage is never boring, often\nsuper funny, and always interesting.<\/p>\n\n\n\n

And while clearly, in a show of this title (it\u2019s a good\ntitle, as we\u2019re told in the meta discussion of how Sam and Sergio came to land\non it), you\u2019d assume it\u2019s about the pitfalls of narcissistic tendencies, they\ndidn\u2019t add up to enough to demand the action that occurs. That vagueness of\nwhat the what and huh why is fun for the artistic experience, but not so fun to\nwrap your head around afterwards. In a show that ostensibly deals with\nnarcissism, vanity, ego, selfishness, something along those lines, the\npunishment for these traits is neither justified nor doled out to the\nrepresentation of those traits. That would be the character Igor, the clear\nnarcissist in the story, though he\u2019s not the victim of it. Is he even real? (What\u2019s\nGOING ON.) To punish the more obvious narcissist may be too easy, sure, and it\nis interesting to reflect on how Sam\u2019s Sergio and Sam himself showed flickers\nof the ego-driven behaviors to be warned against, but it feels like a bit of a\nstretch to rely on that for the result and\/or whatever message we\u2019re to take\nfrom it. There are also the jabs at the selfishness of our society at large,\nrepresented by the few and far between but still jarring interjections about\ngenuine global tragedies, which seemed too fragmentary to be meaningful. <\/p>\n\n\n\n

And so the representation of the punishment just seems wrong,\nand disturbing, and disturbance just for its own sake and not for any good\nreason isn\u2019t good enough. The particular scene where we find out what actually\nhappened in Sergio\u2019s hotel room in excruciating detail is unnecessarily gory.\nIt added nothing and risked cheapening the work from being a sophisticated\nthriller to being akin to a low-grade snuff film.<\/p>\n\n\n\n

Aside from that part (and the fact that if you had to drink every time you heard the line \u201cand then we began to f*&k\u201d, you would die from alcohol poisoning), it was still an enjoyably riveting show, with Crane giving a pretty fantastic performance. This show raises a bunch of interesting questions, throwing threads of ideas into the ether, although not fully holding on to one. I appreciate when good art is more about emotions than facts, but this started to veer a little too far into \u201cdon\u2019t think about it too hard, too too hard\u201d territory for me. However, it was never boring, and it\u2019s very provocative, which is a great accomplishment for new weird theatre.<\/p>\n\n\n\n

<\/p>\n\n\n\n

INFORMATION<\/strong><\/p>\n\n\n\n

The one act show is about 100 minutes (not the 90 billed). The lobby and bar were so packed I had trouble leaving the building, which isn\u2019t a great feeling. Seats are unreserved so get there early for an aisle, but there are no bad seats. Bathrooms are gender neutral with about 3-5 stalls\/cubicles each, downstairs in the bar area.<\/p>\n\n\n\n

The show runs at the Pleasance Theatre (near Caledonian Road station) until March 8.<\/p>\n","protected":false},"excerpt":{"rendered":"

With all the theatre we see (it\u2019s a lot), there are only a few times when all we can say to each other at the end […]<\/p>\n","protected":false},"author":2,"featured_media":11382,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[147],"tags":[],"class_list":["post-11380","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment"],"yoast_head":"\nThe Rage of Narcissus: Provocative & Disturbing New Work at the Pleasance - Laughfrodisiac<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/laughfrodisiac.com\/2020\/02\/24\/the-rage-of-narcissus-provocative-disturbing-new-work-at-the-pleasance\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Rage of Narcissus: Provocative & Disturbing New Work at the Pleasance - 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