{"id":11275,"date":"2020-01-09T18:10:30","date_gmt":"2020-01-09T18:10:30","guid":{"rendered":"https:\/\/laughfrodisiac.com\/?p=11275"},"modified":"2021-11-09T22:00:29","modified_gmt":"2021-11-09T22:00:29","slug":"fairview-at-the-young-vic-white-people-feel-bad","status":"publish","type":"post","link":"https:\/\/laughfrodisiac.com\/2020\/01\/09\/fairview-at-the-young-vic-white-people-feel-bad\/","title":{"rendered":"Fairview at the Young Vic: White People, Feel Bad!"},"content":{"rendered":"\n<p><em>It\u2019s Theatre Thursday!\nToday\u2019s show is <\/em><em>Fairview<\/em><em>, playing at <\/em><em>London<\/em><em>\u2019s Young Vic until January 23.<\/em><\/p>\n\n\n\n<p>I really hate when writers include spoilers in reviews, like they can\u2019t write about the show without ruining it for everyone. I\u2019ll do my best to avoid them here, but it\u2019s kind of impossible to talk about the power of <em>Fairview<\/em>, the 2019 Pulitzer Prize-winning drama, without spoilers, so gird your loins\/stop reading if you are going to see it. Now making its London debut, the play by Jackie Sibblies Drury ends in a way I can\u2019t say any other theatrical work ever has. Even aside from that ending, it\u2019s hard to talk about the play in general because it\u2019s about that incredibly difficult thing to talk about as a white person: race and how terrible white people are. Okay that second part might not be the point, but if you are a white audience member who walks away from the show <em>not<\/em> feeling completely shitty then you maybe weren\u2019t paying attention (like to the world either). I\u2019ll try to not say anything ignorant, but I am a whitey, so, WE\u2019LL SEE. <\/p>\n\n\n\n<p><em>Fairview<\/em>\ntells of a middle-class black family preparing for Grandma\u2019s big birthday\ndinner: You have the mom trying to do everything perfectly, the feisty (and\nhilarious) aunt with the strong opinions, the husband who actually remembered\nto buy the root vegetables!, the daughter who is nervous about graduating high\nschool. You have the set of a very large, plush home, very beigey-pinks and\ngrays, very Miami in the 1980s that felt a little sitcommy at first and then,\nas the play progresses, a lot sitcommy. The first section of the play, as the\nfamily prepares dinner and argues and jokes with each other, is \u2013 like a sitcom\n\u2013 extremely pleasant, very funny, and opens a lot of doors to what kind of\naction could come next for the family.<\/p>\n\n\n\n<p>And then, no further action comes. Instead of showing what happens with the big birthday dinner, or if the uncle\u2019s plane will take off, or what the daughter will decide about college, instead the rug is pulled out from under you and the sitcommy feel is substantiated. The actors restart, and they go through the entirety of the first section blocking again, but silently. We see the movements and spills and gestures and little dances for the second time, but now the audio is the voiceover conversation of four white people watching this program, talking about the characters, talking about race. It\u2019s a shock, and it\u2019s awkward, interesting, and disturbing the whole time. The four viewers are the kind of people who will proclaim nicely \u201cI\u2019m definitely not racist!\u201d but then in the same breath say a lot of racist things that aren\u2019t obviously mean or cruel but are still wrong, the kind of people who, as we hear, casually converse about \u2018what race you\u2019d pick if you could change\u2019. It is a bold gear change into a provocative flat-out conversation about race, except without a knowledgeable or culturally sensitive voice in the bunch.<\/p>\n\n\n\n<p>And that\u2019s the bit that\u2019s slightly disappointing. It\u2019s not the play\u2019s fault but that of its marketing\/other reviews, for saying that this is \u2018the play that will make \u2018woke\u2019 white liberals realize their mistakes\u2019 or whatever. As a white liberal, I was, as I am with all things purporting to show me how wrong I am, eager to learn what I\u2019m doing wrong and try to improve. But these four white people are blatantly terrible people. They are not \u2018woke\u2019 and they are nothing like the people who would be described as or would describe themselves as being \u2018woke\u2019, at least if the people had any idea what that (annoying) word was supposed to mean. And liberal? I&#8217;m sure at least some of them would be Trump voters. They say clearly racist things and treat race like it\u2019s a fashion choice. It\u2019s worthwhile to show that the things they say and think and eventually do are problematic, but anyone who didn\u2019t already know how problematic these ideas were already miiiiiiight be racist! Or living under a rock.<\/p>\n\n\n\n<p>The third section dives even more into the surreal, with the two worlds mixing into eventual chaos, perhaps representing the kinds of conversations we try to have without better guidance, and perhaps representing the problems we face when white people \u2018want to help\u2019 but also don\u2019t want to acknowledge, or give up, their privilege. That reluctance to give up your privilege comes to a head at the end, when the tables turn and the white audience members literally become the object of stage-lit scrutiny, and their (our) hesitance to listen to the cast\u2019s urgings become the subject of this wider, provocative discussion on privilege, entitlement, and expectations. I can\u2019t imagine any white person seeing this, experiencing this ending especially, and not feeling exposed, guilty, uncomfortable at the very least, so that\u2019s good, I guess, for self-reflection. But who knows how many people who needed to feel that momentary guilt and shame took it into their actual lives? And it\u2019s not up to me to say that that momentary guilt and shame was worth making the people of color in the audience feel even more like the objects of white gaze, under scrutiny as well. <\/p>\n\n\n\n<p>So I was left afterwards with a kind of numbed sensation, embarrassed (in part because of stage fright). The play is the definition of provocative, leaving your mind a blur of jumbled thoughts and emotions, which can be the mark of a successful dramatic work. It\u2019s confrontational, it\u2019s fascinating, and you feel uncomfortable the whole time. Now, after trying to write something the least bit coherent (I failed didn&#8217;t I) I feel even more ignorant and needing to do and be better, which might after all be what Drury had in mind.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It\u2019s Theatre Thursday! Today\u2019s show is Fairview, playing at London\u2019s Young Vic until January 23. I really hate when writers include spoilers in reviews, like they [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":11282,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[147],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Fairview at the Young Vic: White People, Feel Bad! - Laughfrodisiac<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/laughfrodisiac.com\/2020\/01\/09\/fairview-at-the-young-vic-white-people-feel-bad\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fairview at the Young Vic: White People, Feel Bad! - Laughfrodisiac\" \/>\n<meta property=\"og:description\" content=\"It\u2019s Theatre Thursday! 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