{"id":11229,"date":"2019-12-12T18:40:06","date_gmt":"2019-12-12T18:40:06","guid":{"rendered":"https:\/\/laughfrodisiac.com\/?p=11229"},"modified":"2019-12-12T18:40:11","modified_gmt":"2019-12-12T18:40:11","slug":"dear-evan-hansen-in-london-hot-damn-i-love-this-show","status":"publish","type":"post","link":"https:\/\/laughfrodisiac.com\/2019\/12\/12\/dear-evan-hansen-in-london-hot-damn-i-love-this-show\/","title":{"rendered":"Dear Evan Hansen in London: Hot Damn I Love this Show"},"content":{"rendered":"

It\u2019s Theatre Thursday! Today\u2019s show is Dear Evan Hansen, now playing in <\/em>London<\/em> at the Noel Coward Theatre until the end of time if there\u2019s justice.<\/em><\/p>\n

Man alive does it feel good to see a flawless show in this old town! You know from my review of past productions of Dear Evan Hansen <\/em>(off-Broadway and Broadway here<\/strong><\/em><\/span>) that I love this show. However, there were concerns among some (myself included) that the show might rely on the talents of original star Ben Platt to succeed as much as it did. His is a singular talent that seems born for this role, and the role tailor-made for him, so it seemed valid to wonder if his incredible performance was what made the show great. While Benny boy is definitely the definitive Evan, and no one can match his vocal ability in this role \u2013 in particular his ability to sing and emote through snot-dripping tears \u2013 it\u2019s safe to say the success of this phenomenal musical does not rely on him, and the West End is doing it proud.<\/p>\n

Dear Evan Hansen<\/em> tells the story of \u2013 you guessed it \u2013 Evan Hansen, a high school outcast with no friends, a single parent working overtime to pay the bills, and a broken arm. When a fellow student commits suicide, there\u2019s A Misunderstanding that the deceased and Evan were friends, and the grieving family is so overjoyed at the thought of their son having had a friend that Evan goes along \u2013 and builds \u2013 the lie instead of coming clean. He benefits in many ways from prolonging his lie, but of course he can\u2019t continue lying forever and in different ways to the family, his mom, and his friends. And this means it all goes to shit, which is when Platt did his aforementioned incredible snot-faced singing. Although Sam Tutty, our British Evan, doesn\u2019t fall to as many wet pieces, his Evan is great (and we found ourselves weirdly feeling proud of him). He makes the journey so believable and real, and his timing and inflection may be even more impressive than his vocals. DEH is EMOSH and stunning in its mature handling of the subject matter while also managing to be hysterically funny at times. The emotional beats, the fun songs, the heartbreaking songs, the nuances that build these characters so fully \u2013 the creators did everything they could to establish a watertight show, and this cast and production team take it and run with it.<\/p>\n

This is the extraordinary and rare show that has a fantastic score and <\/em>equally strong (maybe even more gripping) book scenes, a feat rarely witnessed, all while capturing today\u2019s yoots and their struggles in a way that\u2019s relevant and modern without seeming condescending. Now that I know all the music so well, I could concentrate on the book scenes more and really appreciate how well written and well performed they were. And I am convinced even more that this is a flawless show. On this viewing, I was curious to see if I could find any merit to the complaints about Evan the character. Since DEH\u2019s bow, we\u2019ve had lots of fans arguing on message boards about how Evan deserves more punishment or how he\u2019s an evil person or how he\u2019s the villain in the story. I don\u2019t know if it\u2019s because they\u2019re under 26 and their brains aren\u2019t done yet but I cannot see how someone can watch this show and think anything close to that. It\u2019s so obvious to see Evan\u2019s struggle, with the part of him that knows he should tell the truth, with\u00a0 his desire to not cause the family any more pain, with his longing to belong, and wit his attempt to just make grieving people feel better. No, he\u2019s not perfect, and his Act II spiral out of control as he takes down his first friends shows this, but it\u2019s so obvious that his hostility is due to his lack of control in trying to do the right thing (also his baby teenage brain unable to handle all that is happening). People who think he\u2019s evil clearly don\u2019t watch The Good Place<\/em>, where the most important thing is to try<\/em> to be a good person. Evan is trying to do the right thing \u2013 he thinks what he has chosen is right because it makes the family feel better. And yeah he\u2019s lying but he\u2019s not a Kantian; he thinks that it\u2019s for a good reason. It seems impossible to me not to empathize with his predicament, especially when you know what he\u2019s been through himself.<\/p>\n

Anyway, despite my incessant rantings about how British musical theatre does not compare to Broadway and how productions are just done better there because musicals are treated with more respect whereas here there\u2019s this weird need for Brits to always assure the world that they value straight plays more AND the history of panto seems to bleed too much into their vision of musical theatre \u2013 well, that\u2019s a long essay, apparently, for another day, so despite all that, this production is ace, as we Brits say. Tutty is giving the star turn of the year, and the supporting cast is equally good. Along with the absence of Platt, I was worried about the absence of Rachel Bay Jones as his mother, since her performance was pitch perfect and as usual she found more to the character than is written. While Rebecca McKinnis might not have uncovered as much between the lines or with her delivery as RBJ somehow magically did, she was no disappointment, and her \u2018So Big\/So Small\u2019 was the most emotional part of the show, even more than Evan’s breakdown. It was perfect. If I did my own awards (should I do my own awards) they\u2019d all be winners.<\/p>\n

INFORMATION<\/strong><\/span><\/p>\n

The Noel Coward theatre is one of those \u2018stalls is below ground\u2019 theatres, so if you don\u2019t like being below ground, sit in the circle. Also, the ladies bathroom is house right, right next to the circle entrance. If you go for stalls like we did (CRY ON US), there\u2019s a ladies in the back of the theatre with 4 stalls??? Like good luck even getting back there at the interval. Or you can sit house right and run upstairs for the circle one. RENOVATE THESE THEATRES, GUYS.<\/p>\n

Stagedoor: We waited for just under 10 minutes but it was too cold. If it\u2019s too cold to wait, it\u2019s too cold to make them talk to you.<\/p>\n","protected":false},"excerpt":{"rendered":"

It\u2019s Theatre Thursday! Today\u2019s show is Dear Evan Hansen, now playing in London at the Noel Coward Theatre until the end of time if there\u2019s justice. 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