{"id":11136,"date":"2019-12-05T17:49:10","date_gmt":"2019-12-05T17:49:10","guid":{"rendered":"https:\/\/laughfrodisiac.com\/?p=11136"},"modified":"2019-12-05T17:49:11","modified_gmt":"2019-12-05T17:49:11","slug":"the-autumn-of-dave-malloy-continues-with-londons-ghost-quartet","status":"publish","type":"post","link":"https:\/\/laughfrodisiac.com\/2019\/12\/05\/the-autumn-of-dave-malloy-continues-with-londons-ghost-quartet\/","title":{"rendered":"The Autumn of Dave Malloy Continues with London\u2019s Ghost Quartet"},"content":{"rendered":"\n

It\u2019s Theatre Thursday!\nToday\u2019s show is Ghost Quartet, playing at <\/em>London<\/em>\u2019s new Boulevard Theatre until January 4.<\/em><\/p>\n\n\n\n

About 10 seconds into our performance of Ghost Quartet<\/em>, husbo and I smiled at\neach other giddily: It sounds like Dave. It is remarkable that a modern\ncomposer has so assuredly developed his own unique sound, that you immediately\nrecognize as His (Dave\u2019s not god\u2019s) as soon as you hear it. There are maybe 4\nworking composers you can say that about. I am grateful for Dave Malloy\u2019s weird\nand wacky and uncanny sound, what can I say.<\/p>\n\n\n\n

As usual with his shows, Ghost\nQuartet<\/em> is a challenging assortment of brilliant moments, beautiful music,\nand lovely abstract storytelling, plus some too-vague storytelling, songs that\ndon\u2019t fit, and moments that should have been cut. Going into a Malloy show, you\nknow that the seeming lack of editing down to its best form is part of the\npackage (common when one individual is writing the music, lyrics, and book\n(collaboration leads to tighter shows)) but that seems to be a key aspect: he\nforces you to reckon with what you might consider the fat. He mixes absolute\ngorgeousness with a lack of clarity, with ridiculous noise, sometimes boring\nbits, things that go on too long, &c. They sometimes feel like a dare, like\nhe\u2019s daring us to question what he decided to keep in order to understand the\nproject more deeply. And sure I am again questioning what he decided to keep,\nbut I almost kind of love the mixture of high and low, good and not so good. <\/p>\n\n\n\n

Ghost Quartet<\/em> in\nparticular has an exceptionally vague \u2018story\u2019 being told through the song cycle\nsung by the four talented cast members, who announce the side and track number\nof this \u2018album\u2019 before each song. Okay so I just read the synopsis on Wikipedia\nand said \u2018really? what?\u2019 like 18 times. Like I said, the story is so unclear\nand is actually four interweaving stories told in chaotic order, which helps\nwith the whole mystical tone but I did not get 90% of what the wiki says. It\nseems generally that there is a woman named Rose, who fell in love, but the guy\nchose her sister and Rose wanted to get revenge, and then Rose took a picture\nof her ghost, and then there was a young woman who bought a camera from a\nwitchy lady who also had a sister named Rose who died and was this the camera\nthat Rose used to take the ghost picture?? And then there was a family named\nUsher in the story (based on the Poe story apparently) and the woman lost her\ndaughter, and then the daughter\u2019s daughter too but I think that daughter was\nthe one who became the starchild? and then the sister was also Rose\u2019s lover in\nanother incarnation and even though it seemed to take place a few 100 years ago\nsomeone got pushed on a train platform? When did trains start? ALSO at some\npoint Rose meets The Bear, who wants to help her with her revenge maybe? So The\nBear starts Rose (I think) off on a new scavenger hunt of four items to give\nthe Into the Woods <\/em>\u201cthe cow as white\nas milk, the cape as red as blood, the hair as yellow as corn, the slipper as\npure as gold\u201d list a run for its money: the bear requests 1) one pot of honey\n(naturally), 2) one piece of stardust (not suuure how to acquire that but okay)\n3) one secret baptism (wat), and 4) a photo of a ghost (oh). It\u2019s just the\neensiest bit harder that Sondheim\u2019s but you gotta hand it to the bear, that\u2019s\nsome f-ing list. (I remembered this because I loved its ridiculousness.) I actually\ncracked up at \u2018one secret baptism\u2019; I just wanted to shout \u2018FUCK THAT IS SO\nDAVE. SO. DAVE.\u2019<\/p>\n\n\n\n

Oh and also there\u2019s like a scene with Thelonius Monk, or maybe his ghost. Fork me I have no idea what was happening, but it doesn\u2019t really matter what the details are, just that you feel the essence of it through the music, often haunting, sometimes fun, almost always interesting. And the cast of four definitely conveyed the desired eccentric, eerie, provoking essence beautifully. The two women, Carly Bawden and Maimuna Memon, carry the show with their incredible vocal talents and versatility, while the two men, Niccolo Curradi and Zubin Varla (the latter of whom is almost ready to join our list of Jenna Russell, Imelda Staunton, and Michael Ball for Actors Who Seem to be Cast in Everything (except he has actually been well cast whenever we\u2019ve seen him)) provide strong support. All four have moments of brilliance and even hilarity, all while playing numerous instruments and ever-changing characters. They also hand out shaker eggs and serve several types of whiskey to most of the audience (though not to us; I don\u2019t even drink and I was upset at not getting anything) and ask people to join them for the finale, which was cute but distracted from the power of it. The astonishingly gorgeous and moving a cappella quartet that I believe ends Side 3 should have been the finale.<\/p>\n\n\n\n

So, whatever\u2019s going on in this story is super confusing but that\u2019s kind of the point; you shouldn\u2019t have full clarity when talking about ghosts. It helped achieve the right vibe to be so nebulous, since the focus is and should be on what the music makes you feel. And they definitely succeed on that front. <\/p>\n\n\n\n

INFORMATION<\/span><\/strong><\/p>\n\n\n\n

A pre-show informational email said the show was about 90\nminutes with no interval but it was 100 minutes. Given that there were 4\n\u2018sides\u2019 of the \u2018album\u2019 and not 2, this show really would have benefited from an\ninterval. I realize it\u2019s still short for an interval but it would really work\nhere. Also it felt much longer, which is a disservice to the show. (ALSO \u2013 it\nshould just be 3 sides. The audience expects there to be 2 sides, so much so\nthat when they announced \u201cSide 3, Track 1\u201d there was a bit of a giggle. It\ntotally flows with the whole Ghosty Weirdness to have 3 sides because that\u2019s a\nlittle odd. The 4th<\/sup> side was so short anyway and like, too\nconventional since it completes the set. Don\u2019t complete the set! Let it be\nweird!)<\/p>\n\n\n\n

Sit in the front row if you want to be involved\/get whiskey.\nSit in our seats (B13 and B14) if you don\u2019t want ANYTHING AT ALL. I\u2019m not mad.\n(But I was hundo p that I had booked aisle seats, so I was shocked SHOCKED to find\nthat our seats were smack dab in the center of a long row. Luckily, the\n\u2018stalls\u2019 in the round is only 3 rows, and there\u2019s a big gap between B and C so\nI hopped over at the end to beat the rush to the bathroom because the toilets\nare FAR (downstairs and on the far side of the restaurant, which blows). <\/p>\n\n\n\n

Aside from the toilet sitch, this new theatre is super\nlovely. I can\u2019t wait to see more shows use this space in interesting ways.\n(Apparently the balcony section spins. INTO IT.)<\/p>\n","protected":false},"excerpt":{"rendered":"

It\u2019s Theatre Thursday! Today\u2019s show is Ghost Quartet, playing at London\u2019s new Boulevard Theatre until January 4. 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