{"id":10956,"date":"2019-09-26T06:51:35","date_gmt":"2019-09-26T06:51:35","guid":{"rendered":"https:\/\/laughfrodisiac.com\/?p=10956"},"modified":"2019-09-26T14:55:35","modified_gmt":"2019-09-26T14:55:35","slug":"old-stock-at-wiltons-music-hall-an-important-relevant-work-of-musical-brilliance","status":"publish","type":"post","link":"https:\/\/laughfrodisiac.com\/2019\/09\/26\/old-stock-at-wiltons-music-hall-an-important-relevant-work-of-musical-brilliance\/","title":{"rendered":"Old Stock at Wilton\u2019s Music Hall: An Important, Relevant Work of Musical Brilliance"},"content":{"rendered":"\n<p><em>It\u2019s Theatre Thursday! Today\u2019s show is Old Stock at Wilton\u2019s Music Hall until Saturday.<\/em><\/p>\n\n\n<p>Man alive what an amazing month of theatre it\u2019s been! Last week I was blown away by the one-woman show <a href=\"https:\/\/laughfrodisiac.com\/2019\/09\/19\/jeannette-bayardelles-shida-is-a-triumph\/\"><span style=\"color: #993366;\"><strong><em>Shida<\/em>,<\/strong><\/span><\/a> and I felt rejuvenated in my love of musical theatre and its ability to tell stories on a superhuman level. Well it happened again literally five days later, when I saw <em>Old Stock<\/em> at Wilton\u2019s Music Hall. I didn\u2019t expect this one-act musical to crush my soul and break my heart and make me laugh hysterically and then cry hysterically, but it did, and I cannot recommend enough that you race to Tower Hill to see it in the next few days. RACE.<\/p>\n<p>Okay, maybe I would have expected it if I knew at all going in what it was about, but as usual we heard \u201cat Wilton\u2019s\u201d and said \u201cwe\u2019ll be there\u201d without needing another word. It\u2019s about immigrants, specifically Jewish immigrants to Canada about 100 years ago and the trials they faced\u2026so yeah, we should have been ready for our EYES TO DROWN but that\u2019s all in the past now. And we all wish we could say the hardships, bigotry, and turmoil these immigrants portrayed faced is all in the past too, but the beauty, the heart-breaking beauty of this staggering work, is that the story describes the plight of immigrants today just as powerfully as it does those of the past. Like the pinnacle of Jewish musical theatre, <em>Fiddler on the Roof<\/em>, <em>Old Stock<\/em> tells an important Jewish story that really can be adopted by any minority group, anyone who has ever been ostracized or persecuted, with just as much power and meaning. That\u2019s the beauty of musical theatre, its ability to transcend demographics and time and specifics and speak right to the human heart. And that\u2019s especially the beauty and power of superb musical theatre like this.<\/p>\n<p>The show, by Ben Caplan, Hannah Moscovitch, and her husband Christian Barry (who also directs), tells of Chaya (Mary Fay Coady) and Chaim (Eric Da Costa), two Jewish refugees from Old Country who meet en route to the safe harbors, so they hope, of Canada. I mean sure people will still be racist but they\u2019ll be polite about it. And sure they\u2019ll be told they aren\u2019t <em>real <\/em>Canadians, not \u2018old stock\u2019 (drink!), but at least they\u2019ll have health care AM I RIGHT. They fall in love, one first then the other, and navigate their past trauma, their uncertain place in a new country, and their open future. All the while, a wild, fantastic troubadour in the form of Caplan\u2019s narrator called The Wanderer takes us through the story with a score that explodes with emotion, with wit, with wildness and disobedience as much as it exudes tenderness, thoughtfulness, and real invention. You clutch your stomach laughing early on and then by the second half you\u2019re wondering when exactly you starting weeping, all the while immersed in a storytelling that I cannot commend enough.<\/p>\n<p>Da Costa\u2019s open, vulnerable, joyous face instantly wins you over, as Chaim should. With Chaya\u2019s more reserved nature, Coady has a harder job of winning you over in spite of herself, and they are both flawless. If they are the heart, Caplan is the lifeblood of the production. He\u2019s like if Harold Zidler and Cabaret\u2019s Emcee played together in an acid trip in Dr Frank-n-Furter\u2019s mind but with real grit and heart. It\u2019s a wild and crazy explosion of a performance\u2026and then it\u2019s reverent and quietly gorgeous, in an instant. His impressive ability to shift between raucousness and emotional truth, between booming anarchist anthems and Yiddish folk songs and then sweet lullabies, is a precise and powerful instrument, and a rare one at that.<\/p>\n<p>The fact that Caplan wrote these songs, these incredible songs that play with genre and emotional beats in a magnificent way, <em>and<\/em> has that versatile, booming, unstoppable voice is one of those things where you\u2019re like \u2018god, ffs, that\u2019s not fair to give all that to one person.\u2019 Like when I went to law school with an actual model \u2013 was not cool. The score\u2019s versatility \u2013 while still seeming generally cohesive \u2013 reminded me of the best of Dave Malloy\u2019s work, weaving in and out of genres yet retaining a true voice and always holding firm to emotional truth. And that emotional truth is what rings out even more than the superb score and the flawless performances, a message that despite being ostensibly about a story from 100 years ago is as relevant today as ever.<\/p>\n<p>\u00a0<\/p>\n<p><span style=\"text-decoration: underline;\"><strong>INFORMATION<\/strong><\/span><\/p>\n<p>The show is just under an hour and a half and you\u2019re going to savor every single minute. I LOVE EFFICIENT SHOWS THAT CAN\u2019T BE EDITED ANY FURTHER. Info leaflets with all the good info a programme would have are free, and there are CDs (HIGH RECOMMEND) on sale for 20 pounds (WORTH IT) as well as Caplan\u2019s other albums. The night we saw the show, the entire cast + crew + Barry held a post-show Q&amp;A that was wonderful. They all have impressive insight into their characters and the role the show plays in telling the story of today\u2019s immigrants as well, which obviously shone through the work. Did I say you should go? You should go. Man that post-show reveal of where Chaya and Chaim&#8217;s bloodline led to I CANNOT.<\/p>\n<p>Seating at Wilton\u2019s is in single rows (no breaks) in the stalls, with the house right aisle the one closest to the exit\/bathrooms. Upstairs there is a ring I think 2-3 rows deep. Ladies are downstairs, mens are upstairs.<\/p>\n<p>Tickets are available on TodayTix if you are after a good deal, although this show is worth more than I\u2019ve paid for a lot of West End drivel.<\/p>","protected":false},"excerpt":{"rendered":"<p>It\u2019s Theatre Thursday! Today\u2019s show is Old Stock at Wilton\u2019s Music Hall until Saturday. Man alive what an amazing month of theatre it\u2019s been! Last week [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":10958,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[147],"tags":[],"class_list":["post-10956","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Old Stock at Wilton\u2019s Music Hall: An Important, Relevant Work of Musical Brilliance - Laughfrodisiac<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/laughfrodisiac.com\/2019\/09\/26\/old-stock-at-wiltons-music-hall-an-important-relevant-work-of-musical-brilliance\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Old Stock at Wilton\u2019s Music Hall: An Important, Relevant Work of Musical Brilliance - Laughfrodisiac\" \/>\n<meta property=\"og:description\" content=\"It\u2019s Theatre Thursday! 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