{"id":10340,"date":"2019-07-04T16:56:44","date_gmt":"2019-07-04T16:56:44","guid":{"rendered":"https:\/\/laughfrodisiac.com\/?p=10340"},"modified":"2019-07-24T16:45:34","modified_gmt":"2019-07-24T16:45:34","slug":"yes-youll-sweat-from-all-the-anxiety-youll-feel-while-viewing-this-distressing-play","status":"publish","type":"post","link":"https:\/\/laughfrodisiac.com\/2019\/07\/04\/yes-youll-sweat-from-all-the-anxiety-youll-feel-while-viewing-this-distressing-play\/","title":{"rendered":"Yes You\u2019ll \u2018Sweat\u2019 from All the Anxiety You\u2019ll Feel While Viewing this Distressing Play"},"content":{"rendered":"\n

It\u2019s Theatre Thursday! Today\u2019s show is the play Sweat by Lynn Nottage, currently playing at London\u2019s Gielgud Theatre until July 20.<\/em><\/p>\n\n\n\n

You know how society as we know it is falling apart and\nthere\u2019s nothing we can really do about it, so decent (and not so decent, but no\none deserves the crumbling of the world) people are suffering in poverty and\ndrug addiction and racism and sexism and classism and overall misery, and we need\ngovernments to work together for the people in order to solve any of these\nsocietal problems but the people running things are too busy thinking about\ntheir own comforts instead of caring about anyone else, let alone all of\nsociety, so things are just falling apart for the regular person and it\u2019s all\nincredibly depressing? Yeah, well, so, Sweat<\/em>.\n<\/p>\n\n\n\n

Lynn Notage\u2019s highly distressing, highly moving play about Reading,\n Pennsylvania and the devastation caused by\njoblessness (as well as the aforementioned \u2013isms) is a hell of a depressing\nshow. Nottage interviewed real citizens of Reading\n(not including Michael Scott) to research this show, since Reading\nhas notably experienced a horrible decline in employment and 40% of the\npopulation now lives in poverty. I don\u2019t know how many times I can say\n\u2018depressing\u2019 in one review but we will probably break that record today. Sweat<\/em> shows us the lives of a small\ngroup of friends and acquaintances in Reading before and after all their lives\nchanged for the worse. <\/p>\n\n\n\n

This group consists of people who work at the big factory in\ntown, people who used to work at the big factory in town, and their kids who have\nlittle choice but to also work at the big factory in town: Martha Plimpton\u2019s\nvolatile Tracy and her equally hot-tempered son Jason (stereotypical and\nscarily accurate central-PA white people who probably voted for the cheeto\ntoilet); management-material Cynthia and her son Chris (black people who have\nto work harder to prove themselves), plus their estranged husband\/father who is\nnow an addict; their floaty old-hippie now-drunk friend Jessie; the bartender\nfriend Stan; the bar\u2019s Mexican busboy Oscar; and the good-intentioned parole\nofficer. Yes, parole officer: the show begins with the kids, Jason and Chris,\njust released from prison. The rest of the show \u2013 before returning depressingly\n(there\u2019s another!) to present day \u2013 shows us what led up to their arrest. <\/p>\n\n\n\n

If this sounds compelling to you, well good, because we are\nall living in this world, and Sweat<\/em>\nfelt like a genuine reflection of the hardships of the working class, from the\nfear of how quickly joblessness can destroy your life, to America\u2019s opioid\nepidemic, to how this fear to have someone real to blame for your lot in life\ncan so easily lead to blaming those who are different from you. As someone who\ntries to focus on making her social justice efforts intersectional, I found a\nlot of this show a gut-punch of a reminder that some other people who we write\noff as not caring about people different from them simply don\u2019t have the\nability, the time, the luxury of caring about anything except working enough to\nmake enough money to feed themselves to stay alive and then repeat the next\nday, and all their next days. It doesn\u2019t make them good or bad people (well,\nsome of them are bad people); it just makes for a world where caring for each\nother isn\u2019t seen as a priority, and so we\u2019re stuck in this vicious cycle of\nshit.<\/p>\n\n\n\n

Nottage\u2019s nuanced playwriting shines best as she develops\nthese characters, along with a pretty remarkable cast. Plimpton was of course\nincredible, but she scared the absolute shit out of me. She was 100% exactly\nlike some people I\u2019ve met. She even looked exactly like a woman I used to work\nwith: same exact fake blonde hair and gruff demeanor and ease of saying suuuper\nracist things. She was like half the women in Upper Darby\nwho say \u201cWha, you think ya better than me?? YA THINK YA BETTER THAN ME?\u201d and\nthen knock over the bar table. That was Tracy,\nand her white supremacist son never had a chance with her antagonistic\ntendencies. (NB: Never get face tattoos, just don\u2019t, you\u2019ll never get a job et\nal., and ESPECIALLY don\u2019t get white supremacist face tattoos. Or, ya know, do,\nso we know to stay away from you.) I found the whole cast moving and convincing\nin their individual ways. My favorite was honestly Leanne Best, who had little\nto do as Jessie but managed to turn her one big scene into the most\nheartbreaking part of a show that\u2019s all hardship. When she reminisces about how\nshe was supposed to see the world as a young adult but she started working at\nthe factory and never could stop, she keeps repeating the list of destinations\nshe and her boyfriend had memorized as a sort of mantra: \u201cIstanbul, Tehran,\nKandahar, Kabul\u201d and so on. Her melancholy and regret at never having left Reading\nwas palpable and tragic, and it was a tiny but wonderful performance. <\/p>\n\n\n\n

But the plot teeters a bit, and it\u2019s hard to provide a\nstrong enough answer as to what we were actually supposed to take away from how\ndepressing it all is. I wish, I honestly really wish, that the play had ended a\nscene early. Once we see all the pre-prison scenes (most of the action is the\nflashback), we meet again with the parole officer with Jason and Chris. He\u2019s\ntrying to inspire them and get them to really try with their new leases on\nlife, and his scene ends with him talking to both men but speaking to the\naudience, and saying something super inspiring like \u201cso what are you going to\ndo to make it better? what are you going to do?\u201d and then the theatre blacks\nout and I was like \u2018HOLY SHIT I WANNA DO ALL THE GOOD THINGS! LET ME GO DO\nTHEM!\u2019 and I found it incredibly powerful. But then there was another scene!\nAnd, this final scene was clearly supposed to be super moving, but it actually\nwasn\u2019t, and considering the content, it\u2019s a shame that it just doesn\u2019t work.<\/p>\n\n\n\n

Overall, however, it\u2019s a decent, poignant look at modern\ntragedy. There\u2019s so much nuance about how ingrained racism, for one example,\ncan be. I was blown away realizing how Tracy\nblames everything on her friend Cynthia\u2019s inability as a low-level manager to\nstop some huge things from happening in the company, yet completely accepts her\n(white) bartender friend Stan\u2019s reporting that his boss changed a rule at the\nbar. This kind of subtle creation of each realistic character makes Sweat<\/em> a play to see, even if you won\u2019t\nreally learn anything except \u2018fork, this is a ball of shit.\u2019<\/p>\n\n\n\n

INFORMATION<\/strong><\/p>\n\n\n\n

Sweat<\/em> ends its\nshort run (intentionally limited; only 50 performances at this theatre) on July\n20, but it\u2019s the kind of show that I am sure will be popping up all over the\nplace with regional theatres, tours, everyone trying it on for size given how\nrelevant it is. <\/p>\n\n\n\n

If you can get there before July 20, the best seats (I\u2019m SO\nhappy I remembered for my own good!) at the Gielgud, if you pee in the ladies\nroom and pee often, are front stalls, about Row D-K, because the door to the\nkind-of-hidden ladies (WHY DO THEY WANT TO KEEP THESE BATHROOMS A SECRET) is\nliterally RIGHT THERE, if you are sitting on the aisle stage right (that\u2019s HOUSE\nLEFT). I was sitting three feet from the door to the bathroom door! It was the\nbest ever! I was so happy! (And then so quickly unhappy, obviously (did you\nREAD the review??)) It was also really well air-conditioned on the hottest day\nin London so far this summer, so it\nwas nice not to literally sweat. <\/p>\n","protected":false},"excerpt":{"rendered":"

It\u2019s Theatre Thursday! Today\u2019s show is the play Sweat by Lynn Nottage, currently playing at London\u2019s Gielgud Theatre until July 20. 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Today\u2019s show is the play Sweat by Lynn Nottage, currently playing at London\u2019s Gielgud Theatre until July 20. 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