{"id":10326,"date":"2019-07-02T18:13:31","date_gmt":"2019-07-02T18:13:31","guid":{"rendered":"https:\/\/laughfrodisiac.com\/?p=10326"},"modified":"2019-11-12T11:39:48","modified_gmt":"2019-11-12T11:39:48","slug":"race-like-youre-a-contestant-on-race-to-bachelor-island-to-see-tootsie-the-funniest-musical-of-the-year","status":"publish","type":"post","link":"https:\/\/laughfrodisiac.com\/2019\/07\/02\/race-like-youre-a-contestant-on-race-to-bachelor-island-to-see-tootsie-the-funniest-musical-of-the-year\/","title":{"rendered":"Race Like You\u2019re a Contestant on \u2018Race to Bachelor Island\u2019 to See the Hilarious \u2018Tootsie\u2019"},"content":{"rendered":"\n

It\u2019s Theatre Tuesday! Remember that\u2019s a thing we\u2019ve added to Theatre Thursday because of ALL THE THEATRE. Today\u2019s show is Tootsie, currently playing at Broadway\u2019s Marquis Theatre (the one in the hotel).<\/em><\/p>\n\n\n

Man alive, I did NOT expect to love Tootsie<\/em> as much as I did. I went in with low expectations because I heard that David Yazbek\u2019s score wasn\u2019t great (considering his previous effort, the genius The Band\u2019s Visit<\/em><\/a>, won the Tony (all the Tonys) last year, the bar was high) and because there is so much (undeserved) controversy around it (we will get there). But, because of the great performances across the board, the very decent score (low expectations really work!), and the forking HILARIOUS book by Robert Horn, we really enjoyed this gem of a show.<\/p>\n

If you aren\u2019t familiar with the movie Tootsie<\/em>, it\u2019s a 1982 Columbia Pictures film starring Dustin Hoffman \u2013 as it actually says on the musical\u2019s actual official billing in the Playbill. How much shit did Hoffman\u2019s lawyers stir up with the musical\u2019s creative team to get them to add that to the Playbill<\/em>?! In the movie, Hoffman plays an actor named Michael Dorsey who has burned all his show biz bridges because he\u2019s an asshole, and so to get away from that bad reputation and keep working in the biz, he dresses up like a woman (with the too-close name Dorothy Michaels, like why not just pick JANE MILLER or something) and gets a starring role on a soap opera! What a great idea! It\u2019s so much easier for women to get jobs! No, that\u2019s not the take; it\u2019s just that an asshole of a man wasn\u2019t going to get hired (lol FARCE).<\/p>\n

In the musical, Santino Fontana is now the asshole actor Michael Dorsey, but he\u2019s a modern New York theatre actor asshole instead of soaps. Santino is SO GOOD at playing grumpy jerky guys that you still absolutely adore (see, e.g.<\/em>, Greg Serrano on \u201cCrazy Ex-Girlfriend\u201d). When his friend Sandy (and ex-girlfriend, sooo toxic GET AWAY from him girl, live your best life) (played flawlessly by the superb Sarah Stiles) mentions she has an audition coming up for a new musical, Michael decides, \u2018hey you know what? I\u2019m going to dress up as a woman, go to this audition instead of one of the hundreds of others happening at the same time in this city, I\u2019m gonna be amazing, win over the producer who is played by the great Julie Halston who as usual is FREAKING HILARIOUS, and get that part and fork over poor Sandy who can\u2019t get a g-d break even though Sarah Stiles is the funniest character actress to be seen on Broadway in literally years and entire masters of arts theses should be written about her performance of \u201cSomething\u2019s Gonna Happen\u201d?\u2019<\/p>\n

So Michael puts on his best dress, his best country accent, and his worst wig and becomes Dorothy Michaels. I understand using the same names as the movie, but using the same Dorothy lewk as the movie is probably my least favorite part of all of it. It should have been updated for modern times! Dustin Hoffman\u2019s Dorothy looked maybe okay for the 1980s but if someone saw this Dorothy in NYC today they would send her to the Queer Eye guys so fast her head would spin and OFF her wig would fly and everything would be over before it began. That wig is like Mississippi matriarch making pancakes in her apron on a Sunday mixed with Ronald McDonald. Santino deserves a better quality wig, is all I’m saying.<\/p>\n

Once Michael\/Dorothy gets the part, the ensuing story is a delight. I know I said in my Tony\u2019s roundup that a musical\u2019s book shouldn\u2019t win a Tony just for being funny, but I was SO wrong to think that Robert Horn shouldn\u2019t have been the winner 100%. It\u2019s not just that it\u2019s funny, it\u2019s RIDICULOUSLY FUNNY. And it\u2019s structured well too. The show-within-the-show being a garbage fire of a sequel to Romeo & Juliet<\/em> is such a silly opportunity for even more laughs.<\/p>\n

As everything goes to shit for Michael, it could not be better or more humorously expressed than by Michael\u2019s roommate Jeff (the fantastic Andy Grotelueschen) in his Act II opener, \u201cJeff Sums it Up\u201d. You know I complain about Act II openers being weak all the time, because they usually are. They have such a big job to do, to bring the audience back into the show after intermission and prove that it was worth coming back for, and they so often fail to deliver. This one was probably one of my favorites. The two men\u2019s comic timing is perfect in this scene, and as Jeff uproariously sings to his friend how \u201cyou fucked it up\u201d over and over, you can\u2019t help but cackle. Similar dying of laughter happens in all Jeff\u2019s scenes, especially his Act II scene with Sandy, when the two actors broke. I don\u2019t know if this is a planned break (sometimes that happens!) or if they actually broke character at our performance but either way it was beyond entertaining.<\/p>\n

The entire cast was equally funny, though, and what a cast. Throughout most of the show, I kept thinking, \u201cDamn, Tony-winner Michael McGrath is criminally underused as the agent\u201d, but then OUT HE CAME in Act II for a slam dunk of a comedic scene, as Michael (Dorsey, the character, not McGrath) does a Mrs. Doubtfire-at-Bridges-Restaurant style back-and-forth quick-change. After talking to Jeff about his \u201cplay writing\u201d and his client, Michael (McGrath, the agent whose name isn\u2019t necessary to know\u2026except literally right now to avoid this Michael confusion) eventually has this amazing turn:<\/p>\n

Agent McGrath: (to Michael Dorsey<\/em>) \u201cFuck you!\u201d (to Jeff<\/em>) \u201cAnd you! Send me your play!\u201d<\/p>\n

Jeff: \u201cThere is no play.\u201d<\/p>\n

Agent McGrath: \u201cThen fuck you too!\u201d<\/p>\n

WAS THE BEST.<\/p>\n

\u00a0Honestly, the biggest problem in the show is that Michael doesn\u2019t actually get any of the good songs. Santino absolutely deserved his recent Tony Award for this performance and that\u2019s without really even getting a chance to shine vocally as much as he can, showing off what kind of GODDAMN MAGIC happens when that voice and that acting ability are given a melody to match. The lyrics are generally great \u2013 Yazbek can be a lyrical wizard when he wants \u2013 but the melodies are rarely their equal. Lilli Cooper as Michael\u2019s love interest also gets a sort-of bad deal, not really getting a chance to shine at all. She\u2019s great, but they had to shoehorn in a show-offy song by having her character perform at a nightclub, which is cheating. But her scenes with Santino are still moving, especially the end. (I LOVE that a musical had the balls to end the show Pippin<\/em>-style (original version), with an emotional book scene instead of a big song. LOVES IT! Sure they then had the enormous curtain call fiesta but still, it counts.)<\/p>\n

My favorite song goes to Sandy, her aforementioned \u201cSomething\u2019s Gonna Happen\u201d, which her manic, fragile, crazy character reprises several times to great effect. My favorite line, to give a small example of how great this super-rapid-fire song is:<\/p>\n

And everybody smiles<\/em><\/p>\n

They\u2019ll say it\u2019s good to see ya<\/em><\/p>\n

But all I\u2019ll see is judges<\/em><\/p>\n

And they\u2019ll all look like Scalia.<\/em><\/p>\n

Yazbek\u2019s lyrics in this are a wonder, as is Stiles\u2019s ability to actually remember all the words (so many words) and perform it so incredibly. She is a standout, stealing the show from a whole cast of veritable scene-stealers. \u00a0<\/p>\n

\u00a0<\/p>\n

So about that controversy. Tootsie<\/em> has come under fire for being transphobic, which is a horrible thing to be in a time where trans people are routinely harassed, persecuted, and murdered. But this show has nothing to do with trans issues. It\u2019s a gender-conforming man lying by dressing up as a woman, and being consistently told throughout by level-headed characters that he\u2019s doing a bad thing<\/em>. It\u2019s always clear that what he is doing is wrong and he\u2019s an asshole for it, especially, as they bring up, when women have a hard enough time getting jobs. Some trans people told me it\u2019s actually offensive to them to even bring up transphobia or gender identity issues because this show has nothing to do with those serious issues, and thinking that a man dressing up as a woman is automatically an LGBTQ issue is ignorant. Also, although we\u2019re laughing throughout this show, the laughs are never coming just because a man is wearing woman\u2019s clothes, like they are sometimes during Mrs. Doubtfire <\/em>(which, btw, is coming to Broadway soon in musical form too, so I wonder if the backlash to that still-beloved movie will be the same as here). Sure sometimes things happen that are humorous like Michael leaving his Dorothy earrings on, but it\u2019s only funny BECAUSE Michael is a gender-conforming man. If his character was non-gender conforming or trans, then having Dorothy\u2019s earrings on wouldn\u2019t be funny; it wouldn\u2019t be anything. Never in this show is queerness mocked. Even when Cooper\u2019s character thinks she must be also attracted to women since she has feelings for Dorothy, it\u2019s not supposed to be funny; it just shows how much Michael is screwing up by playing with real people\u2019s emotions in this way and lying to everyone about his identity. If anything, the show\u2019s message is that lying about who you really are is wrong. And if you are trans or non-conforming, the whole struggle is being able to be truthful about who you really are!<\/p>\n

Suffice it to say, this show is adorable and funny and should be celebrated, not condemned. The cast is doing amazing work and they especially shouldn\u2019t be blamed for any insensitive aspects.<\/p>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

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